In 2007, shortly after
moving to Savannah, Georgia, I began making portraits of active-duty
members of the United States Army, using the wet plate collodion
process – the primary photographic method of the Civil War
era.
Savannah is near two major Army installations, and uniformed soldiers
are a noticeable, every-day presence here. In 2007, soldiers from
the local posts were poised to deploy to Iraq for the third time
in 5 years. I was struck by the contrast between the images of soldiers
on television and in the print media (anonymous, impersonal) and,
for instance, the impossibly fresh-faced kid in line at the grocery
store who was probably on his way back to Iraq. I became interested
in a jarring disconnect between an idea of war with very limited
effect on most Americans beyond something to have an opinion about
– and the overwhelming fact of life that it is on a very small
percentage of us.
The Soldier Portraits project intends, in part, to personalize and
humanize these individuals sent repeatedly into war zones, in a
way that is meant to transcend pro-or-con policy debates. The wet
plate process is a means to that end. It reveals minute, grainless
details. And it is a very slow process, requiring each sitter to
remain still and concentrate on the picture-making procedure for
up to 60 seconds. The resulting intensity of gaze engages viewers
in a manner that is distinct from the casually made, ephemeral images
that have become so familiar.
The use of this antique process (popularized during an earlier war)
also underscores the contrast between an era when the connection
between citizens and soldiers was direct and inescapable, rather
than mediated and abstract.
Many of the Soldier Portraits images are mounted in custom-made,
hinged, wooden boxes – simplified, contemporary interpretations
of the small cased images sent home from 19th century battlefields.
Often such images were the last that the soldiers’ families
would ever see. This reminder of the potential ultimate fate of
any soldier is meant to crystallize each subject’s individuality
and humanity. |